Castello
Bordering San Marco on one side and spreading across the city
from Cannaregio in the west to the housing estates of Sant'Elena in
the east, Castello is the most amorphous of the sestieri. So
unwieldy is this district that somewhat altered boundaries have
been used in laying out our guide. In the west, this section starts
off from the waterway that cuts round the back of Santi Apostoli to
the northern lagoon, rather than following the zigzagging border of
the sestiere. In the east we've stopped at a line drawn north from
the landmark Pietà church; the atmospherically distinct area beyond
this boundary is covered in another section.
The points of interest in the area covered by this section are
evenly distributed, but in terms of its importance and its
geographical location, Castello's central building is the immense
Gothic church of Santi Giovanni e Paolo (or Zanipolo
), the pantheon of Venice's doges. A couple of minutes away stands
the much-loved Santa Maria dei Miracoli , the city's most
refined architectural miniature, which in turn is close to the
often overlooked San Giovanni Crisostomo . The museums
covered in this section lie in the southern zone - the
Querini-Stampalia picture collection, the museum at San
Giorgio dei Greci , and the Museo Diocesano 's sacred
art collection. This southern area's dominant building is the
majestic San Zaccaria , a church that has played a
significant part in the history of the city - as has nearby
Santa Maria Formosa , on the liveliest and friendliest
square in Castello. Busier still is the southern waterfront, the
Riva degli Schiavoni , Venice's main promenade.
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