Museo Thyssen-Bornemisza
The Museo Thyssen-Bornemisza (Tues-Sun 10am-7pm; the
museum has also experimented with opening on Mondays during July
& Aug, but this may not be a permanent arrangement, so check
beforehand; €4.80; www.museothyssen.org ; Métro: Banco de
España) occupies the old Palacio de Villahermosa, diagonally
opposite the Prado, at the end of the Carrera de San Jerónimo. This
prestigious site played a large part in Spain's acquisition - for a
knock-down $350 million in June 1993 - of what many argue was the
world's greatest private art trove after that of the British
royals: 700-odd paintings accumulated by father-and-son
German-Hungarian industrial magnates. Another trump card was Baron
Thyssen's current (fifth) wife, "Tita" Cervera, a former Miss
Spain, who steered the works to Spain against the efforts of
Britain's Prince Charles, the Swiss and German governments, the
Getty foundation, and other suitors.
A terribly kitsch portrait of Tita with a lapdog hangs in the
great hall of the museum, alongside those of her husband and King
Juan Carlos and Queen Sofía. Pass beyond, however, and you are into
seriously premier-league art: medieval to eighteenth-century
on the top floor, seventeenth-century Dutch and Rococo
and Neoclassicism to Fauves and Expressionists on the first
floor, and Surrealists, Pop Art and the avant-garde
on ground level. Highlights are legion in a collection that
displays an almost stamp-collecting mentality in its examples of
nearly every major artist and movement: how the Thyssens got hold
of classic works by everyone from Duccio and Holbein, through El
Greco and Caravaggio, to Schiele and Rothko, takes your breath
away.
The museum had no expense spared on its design - again in the
hands of the ubiquitous Rafael Moneo, responsible for the
remodelling of Atocha and the current works at the Prado - with
stucco walls (Tita insisted on salmon pink) and marble floors.
There's a handy cafeteria and restaurant in the basement which
allows re-entry, so long as you get your hand stamped at the exit
desk. The basement is also home to a temporary exhibition space,
which has staged a number of interesting and highly successful
shows (separate entry fee of €3.60 and often with extended opening
hours). There's also a shop, where you can buy the first
instalments of the fifteen-volume catalogue of the baron's
collection as well as the more modest, but informative, illustrated
guide to the museum (€10.80). Around half of the collection
is now on show, either here, or at the Monestir de Pedralbes in
Barcelona, which houses around eighty works of sacred art. Plans
are afoot to extend the museum into some of the nearby buildings to
accommodate some of Tita's own collection.
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